Retrophisch Review: The War for Middle-earth

Cover for the book 'The War for Middle-Earth' by Joseph LoconteIt’s difficult to know where to even start with a review for this book. Joseph Loconte has woven together such a thoroughly enjoyable story of the blossoming and growth of Tolkien and Lewis’s friendship, and how they combined forces during the darkest of times to shine light where they could in the only ways they could.

It was enlightening to learn little tidbits here and there that I didn’t know, as Lonconte combined facts and quotes from sources I have not yet gotten to. And it’s all so easily read and digestible. I was struck, as he laid the groundwork for the state of the world at the conclusion of the First World War and in to the 1920s, how, despite the move from Modernist to Post-Modernist thinking in the majority, we really have not moved on from the attitudes so prevalent during that day. The parallels, in so many ways, are so striking that it is a bit disheartening to think that history is on its way to repeating itself. After all, as the maxim goes, “Those who do not learn from history are doomed to repeat it,” and man, it doesn’t seem like we’ve learned much at all.

At the end, however, one cannot be left anything but hopeful, that so long as we keep the fires Tolkien, Lewis, and their contemporaries lit during this time period, that more can be brought out of the darkness and in to the light. All with the help, of course, of our Heavenly Father, the creator of Narnia and Middle-earth as much as Lewis and Tolkien were. I highly recommend this book!

5/5 phins
Amazon: Hardcover, Paperback, Kindle
Bookshop: Hardcover, Paperback, eBook

Retrophisch Review: The Most Dangerous Man

The Most Dangerous Man by Jack Murphy cover art“There is no hunting like the hunting of man, and those who have hunted armed men long enough and liked it, never care for anything else thereafter.” —Ernest Hemingway, Death in the Afternoon

Hemingway’s words succeeded Richard Connell’s The Most Dangerous Game by eight years. While the two authors were contemporaries in the sense they both were influenced by World War I and were most prolific in the interwar decades, there’s no real evidence that Hemingway was influenced by Connell’s work. Yet I imagine had he read it, based on his own experiences, Hemingway would have nodded right along.

In The Most Dangerous Man, Jack Murphy has crafted a modern retelling of The Most Dangerous Game, and has done an incredible job doing so.

Jeremy Lopez is a US Army Ranger, and a member of the little-known and very secretive Regimental Reconnaissance Company. He works as part of the intelligence gathering apparatus for JSOC, the Joint Special Operations Command, helping units like Delta Force or SEAL Team Six on their missions against high value targets. Unlike most in the intelligence business, Lopez is very much hands-on: he is on the ground, providing assistance in real time to the operators undertaking the mission at hand.

Currently working in West Africa, upon the completion of a mission, Lopez retires to his hotel in Niger’s capital city, and the bar therein. Where he meets an utter bombshell of a woman, who just so happens to spike his drink. The next thing he knows, he’s in a locked cell, in a place only God knows where.

The cell itself is a bit of an anomaly. There’s a miniature gym inside it, and Lopez is not only fed three meals a day, he’s fed three very good meals a day. Someone’s taking care of him despite his captivity. The reason for which is soon made abundantly clear, and it is not in Jeremy’s favor.

Lopez has been captured, alongside another member of a fellow intelligence team, by a South African tracker leading a hunting party of wealthy patrons, most notably from Silicon Valley. After successful hunts against the Big Five game animals, the hunters were looking for a new challenge. Their guide managed to get them on to reservations in Africa where they could hunt poachers, with the covert blessing of the governments involved. Two birds, one stone and all.

But even that proved boring to the tech bros, so their guide came up with a new scheme: give them a game that had a real fighting chance against them. So a trap was set for a Western military man, preferably a commando of some type. While Lopez isn’t the Navy SEAL the hunters all hoped he would be, they will soon learn what his capabilities really are.

Murphy has crafted an amazing, adrenaline-fueled barnburner of a thriller with The Most Dangerous Man. His pacing is terrific. His humanizing of Lopez, showing his foibles as well as his strengths, only endears him to the reader and gives you a hero to really root for. Some might think his villains as almost cartoonish, but anyone who’s really paying attention to the real tech bros out there will know that their ideas and beliefs are not as far-fetched as one might think.

I simply couldn’t put this book down, blowing through it in three days, and two of those were spent working eight hours each, where I didn’t have as much time to read. The action is propulsive and heart-pounding, and the reader is often left wondering, along with Lopez, just how he is going to survive. I cannot recommend this one enough!

5/5 phins
Amazon: Hardcover, Paperback, Kindle
Bookshop: Hardcover, Paperback, eBook

Retrophisch Review: Desert Heist

Cover for Alex Dekker's book Desert HeistIf you’ve ever wondered what Indiana Jones might be like in the modern day, Alex Dekker may be giving us a glimpse in his debut thriller, Desert Heist.

Raised on history and archaelogy by his academic father, Nathan Wilde is a Green Beret who left the US Army after years of service in the Middle East, culminating in a fierce battle in Yemen which left several teammates dead. Throwing himself back in to his studies, Nathan is working on his PhD, and his dissertation proposal is to search for the lost city of Ubar in present-day Saudi Arabia. When the proposal is rejected by the Harvard doctoral committee, Wilde decides to pursue the search on his own, convinced of the possibility of his own research.

Ultimately, he arrives at the conclusion that the only way he can move on is to throw caution to the wind and seek out the city himself. With all legal means of entering Saudi Arabia blocked, Wilde decides to enter the country’s infamous Empty Quarter through a place he’d like to forget: Yemen. Doing so means he’ll need help, and he turns to former Special Forces teammates for that. Along the way they are joined by Ana Metry, a geologist searching for her missing father, whom Nathan was attempting to contact, given his research on underground water tables in Saudi Arabia could prove helpful in locating Ubar.

The entire group is hunted by a former Spetsnaz operative, now working for a private client, which wants the information the elder Metry had discovered to remain secret. Not to mention dealing with Al Qaeda terrorists using the border towns of Yemen and Saudi Arabia as staging posts, and the utter harshness of the Empty Quarter itself.

Dekker brings his own background as a member of the elite Green Berets, and his love of history, to bear in Desert Heist. His knowledge in both areas shines through, lending weight and credibility to the plot and characters without weighing the story down. Nathan is far from a unstoppable Jack Reacher-like character. He is very human, and Dekker allows all the emotions of frustration, anger, and love flow through him for the reader to take in as the story progresses.

All in all, a solid debut, and one thriller fans should love!

4/5 phins
Amazon: Hardcover, ebook
Bookshop: Hardcover, ebook

Retrophisch Review: The Shadow Over Psyche Station

Cover art for the novella The Shadow Over Psyche Station by Yuval KordovHorror has never been a genre I have read a lot. For one, I don’t understand the desire to be scared. I’m sure a lot of that has to do with childhood little-t trauma about getting lost in a Halloween haunted house. For another, I can have an overactive imagination; I couldn’t finish the first season of The Walking Dead because the zombies were too realistic. (Though I never had that issue with reading the comics.)

Cosmic horror, as a genre, even less so. I’ve read a few Lovecraft stories here and there, but not enough that I would willingly read more, and I’ve avoided movies of the same, like Event Horizon. It’s just not my thing. Usually.

I made an exception with Yuval Kordov’s excellent The Shadow Over Psyche Station, and I’m so glad I did.

This is mostly because Yuval is one heck of a writer; his prose is so dense and deep, and it’s just a joy to read. There aren’t a lot of authors out there these days writing the way Yuval does; he hearkens back to science fiction and horror of decades past. Another reason is that I’ve become infatuated with the new-ish genre of incensepunk. While not Catholic or Orthodox, I did grow up in south Louisiana, where most of my friends were Catholic (or Catholic-adjacent). Thus, I know enough about Catholicism to get by, and nothing in this genre is a big surprise in terms of the denominational trappings.

Yuval is heavily involved with Incensepunk Magazine, and is a kindred spirit in that he, like me, is neither Catholic or Orthodox; though you wouldn’t know it to read his works, most of which fit in to incensepunk. We both have an outsider’s perspective we’re bringing to our enjoyment of the genre, and that mutual enjoyment is one reason why when he offered me the chance to read an advance copy of his next novella, I jumped right on it.

The Shadow Over Psyche Station is cosmic horror with incensepunk tones, a science-fiction tribute to Lovecraft’s The Shadow Over Inssmouth. It follows the trip of Imperial Assessor Marcus O. as he investigates the various orbital stations around the solar system that provide the numerous minerals and other necessities required to keep the Martian Empire going, now that Earth isn’t much help. The last station on his list is the one farthest out, and the one that hasn’t been in contact with the others for some time, Psyche Station. The station is woefully behind on its ore shipments back to the other stations as well as the Red Planet, and Marcus’ superiors want answers as to why.

As for Marcus himself, despite his occupation and the setting, he is a very relatable character. An everyman who, while wanting to be devout to God and the Empire, is also a just trying to do a good job and secure that next promotion, preferably one that doesn’t require any more excursions in to the void of space. Who among us hasn’t wanted to impress the boss enough to get a cushier gig?

The void itself is a bit of a character, but we’ll come back to that in a moment.

If the discomfort Yuval paints in the initial going about the cramped conditions of the shuttle rides between the stations isn’t enough for Marcus, what he finds on Psyche Station once he arrives only heightens how uncomfortable and out of his element he feels. He has contact with….no one. No one human, at least. The Psyche Station shuttle pilot is non-communicative, no one is there to greet him upon arrival, and the only “person” who appears to speak to him is a hologram AI. An AI which shouldn’t exist within the station. The tension only ratchets from there, as Marcus navigates to his assigned quarters and begins discovering more than he, or his superiors, bargained for.

I don’t want to give away too much of the plot from here, other than to say the psychological intensity is constantly ratcheted up. With every discovery, with every encounter, Marcus realizes how far gone he, and the Station, are. Especially when he feels pulled, nay, called, in to the Void. Down to 16 Psyche itself, to where the Station’s inhabitants have also been called.

But in a place where the void of space stands in not only for itself, but the void of Good itself, there are lights in the darkness. Father James is one of those. At one point Marcus seeks out the chapel, to go to Mass, and Father James reluctantly lets him in. He has already seen the things Marcus is only beginning to suspect. And the priest’s reappearance later in the story is a moment of incensepunk glory.

Yuval’s writing is once again on prime display in this story. His pacing is tight, his descriptive language masterful, his ability to pull the reader in and make you feel what Marcus is going through impeccable. Touches such as how the reader learns the name of the sinisterly inhuman AI is an utterly masterful reveal by Kordov.

Needless to say, I was blown away by The Shadow Over Psyche Station, finishing it in less than 36 hours. (Hey, I had to sleep and work some where in there.) If cosmic horror and incensepunk are in your wheelhouse, you should definitely pick this one up. If those genres are not your bag, give it a chance anyway. Like me, you may find yourself appreciating it for the incredible prose it contains.

5/5 phins
Amazon: Paperback, ebook
Other retailers from the author’s site

Retrophisch Review: The Hard Line

Covert art for the novel The Hard Line by Mark GreaneyThe saying is that cats have nine lives. I feel the amount of life iterations Court Gentry has gone through over the course of the Gray Man series exceeds the nine lives of cats, and would wreck lesser men. Yet Mark Greaney continues to find ways to keep Court and the other characters fresh as they face new adventures and new adversaries.

The Hard Line is no different, as The Gray Man and company launch a new off-the-books covert operation at the behest of the CIA’s current Deputy Director of Operations, a 100% deniable outfit he can point at problems the US would rather not have its fingers on. And also because they are the only people the DDO can currently trust, since the US intelligence community has a leak.

If there’s anything I love in an espionage thriller, it’s screwing over the Russians or the Chinese, and rooting out traitors. And if you can do both, well, it’s just double the pleasure, double the fun.

As Court’s first mission under the new venture meets with unexpected resistance, Zack is still recovering from his injuries from the previous novel’s foray in to Russia, and Zoya is unavailable recovering from her time in the gulag, meaning the new venture is hard-pressed for results from the get-go. Along the way, a personal connection to Zack’s past raises the stakes to a degree no one saw coming.

Throughout, Greaney continues to defy formulaic character exposés and plots that plague some thriller series. Zack’s continued development from where he started fifteen books ago has been something of a delight. I thought Mark’s last novel, Midnight Black, was incredible, and would be hard to beat, but The Hard Line may very well be one his best novels ever. Definitely recommended! 📚

5/5 phins
Amazon: hardcover, Kindle
Bookshop: hardcover, ebook

Retrophisch Review: Cold Zero

Covert art for Thor & Larsen's novel Cold ZeroTwo top-tier thriller writers team up for a brand new story that combines the best of what both are known for writing. Brad Thor and Ward Larsen’s Cold Zero features a Chinese scientist defecting to the US with the help of the CIA, bringing along a piece of technology he has invented that can alter the balance of power throughout the entire world. The Chinese Ministry of State Security brings all its assets to bear, and then some, managing to down the state-of-the-art airliner the scientist and his CIA handlers are on—somewhere in the unforgiving Arctic Circle.

The race to survive not just the harsh, unforgiving natural elements, but the impending hunt by Chinese forces, is complicated by the arrival of a Russian submarine. As the CIA and the American military work to bring as many assets in to the rescue operation as possible, the tension ratchets up as the weather’s timing threatens to kill the survivors, if the Chinese don’t do it first. The cast of characters surrounding the main ones represent a wide swath across the military and intelligence forces of arguably the three most powerful nations in the world, and the novel highlights the importance of the Arctic in geopolitical relations for years to come.

This is a fantastic thriller. It reads like vintage, Cold-War Clancy at the height of his powers, and clearly shows Thor and Larsen are in top form as well. You won’t be able to put it down! 📚

5/5 phins
Amazon: hardcover, Kindle
Bookshop: hardcover, ebook

Retrophisch Review: Direct Action

Cover art for Jack Stewart's novel Direct ActionOne thriller series from this century that I believe has been criminally underrated is W.E.B. Griffin’s Presidential Agent franchise. Weaving together the histories of military families from the Vietnam War up to the present day, the saga follows Charley Castillo, bastard child of a Texican born-and-bred Army helicopter pilot and a German heiress. We see Charley grow up in two worlds, and part of the ongoing arc is how he navigates the two.

We are immersed in a world of colorful characters, from the Russian SVR agents who would eventually join his family, to his Texican cousin, and his various Army commanders and mentors. Perhaps most famously, there is Charley’s abuela, and the influence Doña Alicia has on him, from the moment she meets him and throughout the rest of the series, is profound.

Griffin authored the first five books in the series solo, then collaborated with his son for the next three. At the conclusion of 2013’s Hazardous Duty, it looked like that was the end of the road for Charley and his merry band of fighters. Their arc battling contemporary terrorism, often emerging in unexpected forms, concluded and it appeared Castillo and company were, to a degree, riding off in to the sunset of retirement.

Griffin passed away in 2019, but the series was revived two years later, with the release of Rogue Asset, penned by the incredible writing duo of Brian Andrews and Jeffrey Wilson. Presidential Agent fans were delighted, and expectations arose this was setting the stage for a continuation of the series, with Charley taking on a more indirect role as he became mentor to Marine Raider Pick McCoy. But then all went quiet once again on the franchise front, as it appeared this foray didn’t get the head of steam everyone wanted.

Boy, is it a thundering locomotive now.

Next week sees the release of the 10th installment in the series, Direct Action, helmed by the remarkable Jack Stewart. Leaving from that foundation laid by Andrews & Wilson, Jack shovels so much coal in to the locomotive that it will have readers on the edge of the seat as they watch it power down the track. (I’m done with the train metaphor. Promise.)

Making the nearly incomprehensible decision to (minor spoiler) sideline the series’ protagonist very early on, Stewart gives us his take on Pick McCoy and the new crew, deftly weaving Pick’s past with his present just as Griffin did in the early days of Charley Castillo’s story. The tension ratchets quickly, from a shootout at the Alamo to intrigue in Vienna, the city of spies. Jack forces McCoy and company to a blistering pace as personalities come together to solve the mystery of the attacks, one of which Castillo attempted to stop, that threaten national security while also navigating the waters of personal entanglements.

Knowing what a fan I was of the original series from our commiseration about it, Jack was kind enough to let me read an early draft of Direct Action to get my input on it vis-a-vis Griffin’s works. I was thrilled to see that he nailed the character and plot components that made Griffin’s entries must-reads, and took it to the next level by deepening Pick’s involvement and development. Stewart delivers on the promises made by Rogue Asset, and I can only hope he gets to bring us more of Pick and Charley in the future.

If you loved Griffin’s original Presidential Agent books, this joins them as a must-read, and gets a coveted five (phive?) out of five phins.

Amazon: Hardcover, Kindle
Bookshop: Hardcover, ebook

First Impressions, Royal Kludge F68

So I was taken by the idea of a foldable mechanical keyboard, when I first learned of the Royal Kludge F86, that I could use with my iPhone as a portable writing setup. I’m not sure where I first learned of the F86, so if it happened to be anyone reading this, linking to it once upon a time, my thanks.

Photo of Royal Kludge F68 mechanical keyboard unfolded and powered on

Granted, being a mechanical keyboard, even when folded, it’s not going to be as compact as other foldable keyboards, given it only folds the one way, and using mechanical switches, is thick. So if you’re looking for ultra-portability, this likely isn’t the keyboard for you.

I bought the black version on Amazon, where it was cheaper than direct from RK thanks to a 10% off coupon. Key text is white, with Functions in gray.

There is software available for it, but looks to be Windows-only (.exe). However, for remapping keys for use between Windows or macOS/iOS, this is handled on the keyboard itself. Fn+S gets you Mac layout; Fn+A is Windows. So in Mac mode, the Alt key becomes Command, Win key becomes Option. Ctrl remains Ctrl.

It uses “Low Profile Tactile Brown Switches,” to try and minimize key height. Sound seems to be typical for Brown switches. This has been a work-from-home week, so I’ll have to see next week when we’re in office if it’s too loud for some of my coworkers.

Photo of F68 keyboard with iPhone in device arms

As for how it feels: not as good as my NuPhy Air75, but better than my older Keychron K2, which also has brown switches. I’m no mechanical keyboard aficionado, after all; this is just the fourth one I’ve ever owned. For what I want to do, it does the job with the tactile feedback.

You can connect three different devices to the keyboard. Currently I have my iPhone and my PowerBook M4 Pro (Yes, I am committed to this bit). I will likely connect my work laptop when in the office next week. Switching is pretty seamless:

  • Device 1 – Fn+Q
  • Device 2 – Fn+W
  • Device 3 – Fn+E

When it’s flat on the desk, it feels like a typical mechanical keyboard. If you pick it up, there is a little inward flex from the two halves. I haven’t tried it on my lap, but given it’s a 60% size keyboard, I probably wouldn’t ever do that anyway. But if I did, I’m sure there’s going to be both inward and outward flex from the keyboard’s halves on such an uneven surface.

Keyboard is backlit, which is nice. Using Fn+\ you can cycle through the backlight settings, of which are three: on, slow pulse, and off. Fn+up or down arrows will adjust backlight intensity. There’s only about 4-5 settings. When you hit the max on Fn+Up arrow, the backlight flashes at you, as if to say, “I can’t go any higher!” If you Fn+Down arrow enough, the backlight will turn off.

It has two arms that fold flat against the top of the case to support your smartphone. Haven’t tried it as of yet with my iPad Air. The arms each have a dimple near the end, and that slots in to a notch on the casing, so they stay in place when folded.

Photo of F68 keyboard with device arms deployed

Photo of F68 keyboard with device arms stowed

The F68 charges via USB-C. It has a physical On/Off switch, which is rather stiff.

There is no carrying case for the keyboard, just a sleeve you slide the folded F68 in to. So there is minimal protection from being scratched or scuffed while in your bag, but that’s it. It’s a snug fit, but the sleeve does close all the way.

Photo of F68 keyboard folded with its carrying sleeve

Photo of F68 keyboard in sleeve with opening cinched closed

All in all, considering I’ve only had this a few days, I’m liking it. It does what I want it to do. Took it to Kid3’s lacrosse practice this past Thursday at the indoor facility, where they have tables and chairs, and used it there, so it’s fulfilling its purpose.

Time will tell if it sticks!

Retrophisch Review: Outlaw

Cover art for Jack Stewart's novel OutlawI will be honest up front that it is impossible for me to be totally unbiased in this review. I got to know the author, Jack Stewart, a bit before his first book, Unknown Rider, was published, and that is documented in the review linked to the just-mentioned title. That said, I respect Jack enough as a writer to not ask for hints and tidbits in our conversations, and he respects me as reader in only offering teasing morsels to whet the reading appetite. We talk more about the business/working side of writing than the content. Which is refreshing, as it allows me to go in with a clean palate.

Outlaw opens about a year after the events of Unknown Rider. Navy fighter pilot Colt Bancroft is back in the cockpit, albeit in a FA-18E Super Hornet stationed aboard the USS Ronald Reagan, instead of the F-35 we first met him in. NCIS Special Agent Emmy “Punky” King is still looking for the traitor within the Navy’s ranks who eluded her in the first book, and her search turns up more questions regarding the Chinese Ministry of State Security’s network of spies on the American West Coast. Her investigation puts her on the scent of a new agent working in southern California, one possibly tied to events in Shanghai that landed a CIA officer in the hands of the Chinese intelligence service.

As Punky realizes the spy she’s after could trigger a synthetic bioweapon breakout, Colt is flying air support for the rescue mission underway to get the CIA’s case officer back. Both come to the realization that if they fail, the implications wouldn’t stop at geopolitical fallout, but the opening of a new world war.

Outlaw differs from its predecessor in that Colt and Punky never share the printed page. They think about the other on occasion, but their storylines do not directly intertwine like in Unknown Rider. Nevertheless, each is responsible for massively important parts of the plot, as we are introduced to many fresh faces, as well as one or two others from the first book.

Another key difference is the scope. Unknown Rider dealt with a specific instance that brought the two characters together, whereas in Outlaw, things play out on a much larger scale. To his credit, Jack handles this with deft hands and a tight plot.

As stated before, Jack’s writing heroes are Tom Clancy and Mark Greaney, the inventor, and one of the current kings, respectively, of the technothriller genre. As a long-time fan of both of those, it gives me great pleasure to say that Jack may have reached the peak of publication and planted his flag with Unknown Rider, but in Outlaw he begins the establishment of his own empire as a technothriller master. This absolutely reads like a Clancy novel of old, and it’s an anxiety-filled roller-coaster of a ride in all the best of ways. There are even more subplots and moving parts in this book, and if you thought Jack took you inside the mind of a fighter pilot for a glimpse of life in the cockpit before, brother, the afterburners really kick to life in this one.

Let’s just say there may have been a moment during my reading when I texted Jack to curse him out. And I meant it in the most respectful way possible. It’s. Just. That. Good.

If you love reading thrillers, stop reading whatever else has your attention at the moment and dive in to Outlaw. You won’t regret it.

5/5 phins, a stunning and incredible sequel

Amazon: Hardcover, paperback, Kindle
Barnes & Noble: Hardcover, paperback
Bookshop: Hardcover, paperback

Retrophisch Review: After Moses

Cover art for Michael Kane's book After MosesMy Twitter pal Trevor has done some great writing on how the Western archetype has been so successful since it’s introduction on the silver screen a century ago. One reason for the success of The Mandalorian is it is essentially a Western set in the Star Wars universe. So too, is Firefly nothing more than a space western, something which no doubt aided its success (with viewers, at any rate, the studio not so much). So when Trevor made note of Michael F. Kane’s, novel After Moses this past September, I purchased the Kindle version because it sounded intriguing, and though my reading queue is already too deep to add more to, I nevertheless did so. With no regrets.

I was so smitten with the first two chapters that I managed to find a slightly used paperback version, and do not regret that, either. For me, there’s something about the printed page, and especially of science fiction novels, since print was all we had back when Michael and I were coming of age. And paperback—though what I read would be referred to today as “mass market” paperbacks while After Moses is more trade sized—were what all the sci-fi greats I first read in the early ’80s were available in.

Matthew Cole is from the Arizona Colony on Mars. He’s what is known as a freelancer; a captain with a ship looking to collect a paycheck by nearly any means necessary. Nearly, because Cole is a gaucho with a conscience. While on one job, he tangles with another freelancer in an armored exo-suit. She gets the better of him, but they are soon reunited as reluctant partners on another job, one where they are betrayed and left for dead.

But it’s pretty hard to kill a seven-foot-tall woman in an armored suit, and she owes Cole, so they track down the criminals and the one who betrayed them to set things right. Which leads to another job for the pair, and as Cole’s broker feeds him more and more jobs, they begin collecting an unlikely crew aboard the ship Cole famously ran solo for a decade. All of whom have secrets they’d rather not share, secrets which may or may not hurt themselves, or the others, should things go bad. And with the last job Benny the broker hands them, things could go very bad indeed.

My paperback copy of Michael Kane's book After Moses
The world-building—or rather, the solar system-building—Kane has done isn’t anything new; readers of the Expanse series will recognize where some of the off-Earth colonies end up, though Kane’s seeding of them comes about in a very different way than that of the writing duo known as Jams S.A. Corey. How those colonies got there is also way more entertaining in Kane’s novel; humanity had help from an AI.

Moses isn’t just any ol’ artificial intelligence, however. He is the ultimate artificial intelligence. No one knows where he came from, how he works, or why he’s dedicated himself to helping humanity advance, but there he is benevolently doing it. Until the day he isn’t. Hence the name of the first novel in the series, also named After Moses.

I appreciate Kane’s scientific explanations for space travel. This is by no means a “hard” sci-fi novel, but the frameshift technology actually sounds feasible, given its origin from Moses. The technology doesn’t come across to me as Prometheus (Alien)-slick, but feels more like the lived-in-ness George Lucas envisioned for Star Wars. Which isn’t surprising, given how influential the latter has been on Kane. It also makes sense, given how scientific progress has slowed, since most of it was outsourced to Moses and now he’s gone, as what remains of humanity scrambles to attempt to figure all this wonderful tech he provided out. Things break down, including society, and some if it doesn’t get fixed. Which on the societal side, leads to a serious repercussion.

The character of Matthew Cole and his moral compass really resonated with me. We all have favorite characters from the novels we love, but for me, Cole is one of those I wish was a real person I could sit down and have a conversation with. His hard stance—I would even venture, his hatred—toward slavery, very much a real thing in the After Moses universe due to those aforementioned scientific and societal breakdowns, is not only admirable, but something he takes action upon.

All in all, if you love Firefly, The Mandalorian, Westerns, or just really great writing and heroes trying to do the right thing, you will love After Moses. Highly recommended.

5/5 phins